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Picture Album Black Sabbath Born Again

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1983 studio album by Black Sabbath

Built-in Again
SabbathBorn.jpg
Studio album by

Black Sabbath
Released vii August 1983 (1983-08-07)
Recorded May 1983
Studio The Manor (Oxfordshire)
Genre Heavy metallic
Length 41:04
Characterization Vertigo
Producer Black Sabbath, Robin Blackness
Black Sabbath chronology
Mob Rules
(1981) 		Built-in Once more
(1983) 		Seventh Star
(1986)

Born Again is the eleventh studio album by English language heavy metal ring Black Sabbath. Released in August 1983, it is the just album the group recorded with lead vocalizer Ian Gillan, best known for his work with Deep Majestic. It was also the terminal Black Sabbath album for nine years to feature original bassist Geezer Butler and the terminal to feature original drummer Bill Ward, though Ward did record a studio rail with the band fifteen years later on on their 1998 alive anthology Reunion. The album has received mixed reviews from critics,[1] just was a commercial success upon its 1983 release, reaching No. 4 in the UK charts.[2] The album also striking the meridian 40 in the United states of america.[3] In July 2021, guitarist and founding fellow member Tony Iommi confirmed that the long lost original master tapes of the album had been finally located, and that he was considering remixing the album for a futurity re-release.[iv]

Origins [edit]

Post-obit the departure of vocalizer Ronnie James Dio and drummer Vinny Appice in 1982, Sabbath's hereafter was in doubt. The band switched management to Don Arden (Sharon Osbourne'southward father) and he suggested Ian Gillan equally the new vocalizer.[5] "That band was put together on paper," guitarist Tony Iommi revealed in the 1992 documentary Black Sabbath: 1978–1992. "We'd never rehearsed."

The ring had considered vocalists such as Robert Constitute and David Coverdale before settling on Gillan.[six] They even received an audition record from a then-unknown Michael Bolton.[v] Iommi told Hitting Parader magazine in late 1983 that Gillan was the best candidate, saying "His shriek is legendary." Gillan was at commencement reluctant, just his manager convinced him to meet with Iommi and Butler at The Behave, a pub in Oxford. After a night of heavy drinking,[v] Gillan officially committed to the project in February 1983.[7]

The project was originally intended to be a new supergroup, and the members of the grouping had no intention of billing themselves as Black Sabbath.[v] At some signal after recording had been completed, Arden insisted that they use the recognizable Sabbath name, and the members were overruled.[5] "We thought we were doing a kind of Gillan-Iommi-Butler-Ward album…" recalled bassist Geezer Butler. "That is the fashion we approached the anthology. When we had finished the album, we took it to the record company and they said, 'Well, here'south the contract: it is going to get out as a Black Sabbath album."[eight]

Born Again featured the return of founding member Bill Ward on drums, who was newly sober afterward leaving the band in 1980 to deal with his alcoholism.[ix] Ward began drinking again near the stop of the sessions and returned to Los Angeles for treatment once the album was completed, and has remained sober ever since.[v] Ward has said that he enjoyed making the anthology, which remains his last studio album with the ring.[ten]

Recording [edit]

Sabbath began recording in May 1983 at Richard Branson'south Manor Studio, in the Oxfordshire countryside.[11] Producer Robin Black had worked with the band in the mid-1970s, as engineer on Demolition.

In his autobiography, Iommi recounts Gillan informing him that, during sessions, he planned to alive outside the firm in a marquee tent: "I thought he was joking, only when I arrived at the Manor I saw this marquee outside and I thought, fucking hell, he's serious. Ian had put up this big, huge tent. It had a cooking area and a sleeping room and whatever else." Gillan brought an immediacy to the songwriting that was uncommon for Sabbath: "Ian's lyrics were virtually sexual things or true facts, fifty-fifty nigh stuff that happened at The Estate there and then," Iommi recalls in his memoir. "They were practiced, but quite a departure from Geezer'due south and Ronnie's lyrics." For example, Gillan returned from a local pub one evening, took a car belonging to drummer Ward, and commenced racing around a go-cart rails on the Manor Studio property. He crashed the car, which burst into flames after he escaped uninjured. He wrote the album'due south opening "Trashed" almost the experience.[5]

"Disturbing the Priest" was written after a rehearsal space – set up past Iommi in a small edifice near a local church building – received noise complaints from the resident priests.[five] "We wanted this effect on 'Agonizing the Priest'," recalled the guitarist, "and Bill got this big bucket of water and he got this anvil. It was really heavy, and he'd got it hanging on a slice of rope and lower it in to get this issue: hit it and lower information technology in, and and so lift information technology out again. It was a smashing effect, but it took hours to do."[12]

"I did some of the best drum work on that album…" Beak Ward recalled. "On 'Agonizing the Priest', there were some polyrhythms and some counterpoint things that I was doing, and I was using at least twenty different pieces of percussion towards the end of that vocal… I was real proud of a lot of the work that I did. Some of it invariably got lost in the mix, but I know that information technology's printed on those tracks."[13]

The band got along well, but information technology became apparent to all involved that Gillan'southward style did not quite mesh with the Sabbath audio. In 1992, he told director Martin Baker, "I was the worst singer Black Sabbath ever had. It was totally, totally incompatible with any music they'd ever done. I didn't wear leathers, I wasn't of that image...I recollect the fans probably were in a total country of confusion." In 1992, Iommi admitted to Guitar World, "Ian is a cracking singer, only he'southward from a completely dissimilar background, and it was difficult for him to come in and sing Sabbath material."

"I saw Ian get into the studio one day," Ward recalled, "and I was fortunate and honoured, actually, to be part of a session. I watched him lay tracks on 'Go along It Warm'… I felt like Ian was Ian in that song… I watched this incredible transformation of this homo that actually, I felt, delicately put lyrics together. It made sense. I thought he did an excellent job. And I really dig that song too."[14]

When the band heard the final product, they were horrified at the muffled mix. In his autobiography, Iommi explains that Gillan inadvertently blew a couple of tweeters in the studio speakers past playing the backing tracks likewise loud and nobody noticed. "We but thought information technology was a bit of a funny sound, but it went very wrong somewhere between the mix and the mastering and the pressing of that anthology...the sound was really boring and muffly. I didn't know almost it, because we were already out on bout in Europe. By the time we heard the album, it was out and in the charts, merely the audio was atrocious."

For all his misgivings, Gillan remembers the period fondly, stating in the Blackness Sabbath: 1978–1992 documentary, "Merely by God, we had a skillful twelvemonth...And the songs, I think, were quite skillful."

Breakup [edit]

Following the tour supporting Built-in Again, this version of Black Sabbath fell apart, with Gillan and Ward parting. The bout was besides a breaking indicate for Butler, who admits in the Blackness Sabbath: 1978–1992 documentary, "I merely got totally disillusioned with the whole matter and I left some time in 1984 after the Born Again bout. I just had plenty of it." In 2015 Butler antiseptic to Dave Everley of Classic Rock: "I left because my 2nd child was born and he was having problems, and then I wanted to stay with him. I told Tony I couldn't concentrate on the band anymore. But I never roughshod out with anybody." Butler says the looming Deep Imperial reunion played a big role in Gillan'south decision to leave.[15] Disagreements with management besides contributed to the band'due south dissolution.[15] Bevan would briefly render to the Sabbath fold in 1986-87 to tape cymbal overdubs for the album The Eternal Idol.

Anthology cover [edit]

The cover – depicting what Martin Popoff described every bit a "garish cerise devil-baby" – is by Steve 'Krusher' Joule; a Kerrang! designer who also worked on Ozzy Osbourne'due south Speak of the Devil. It is based on a blackness-and-white photocopy of a photo published in a 1968 magazine.[16] The same photograph was used for 12-inch versions of Depeche Mode's "New Life".

"I didn't have whatsoever participation in the album encompass," recalled Bill Ward. "When I saw it, I hated it."[xiv]

Ian Gillan told the press that he vomited when he first saw the picture. Notwithstanding, Tony Iommi canonical the cover,[17] which has been considered one of the worst ever.[1] Ben Mitchell of Blender chosen the encompass "awful".[xviii] The British magazine, Kerrang!, ranked the embrace in 2d place, backside only the Scorpions' Lovedrive, on their list of "x Worst Album Sleeves in Metal/Difficult Rock". The list was based on votes from the magazine's readers.[19] NME included the sleeve on their listing of the "29 sickest anthology covers e'er".[xx] Sabbath'south manager Don Arden was quite hostile towards the ring's ex-vocalist Ozzy Osbourne, who had recently married his manager Sharon,[21] and was fond of telling Osbourne that his children resembled the Born Again cover.[21]

Release and reception [edit]

Professional ratings
Review scores
Source Rating
AllMusic [i]
Blender [18]
The Rolling Rock Album Guide [22]
Sputnikmusic 2/five[23]
Metallic Forces 8/ten[24]
Martin Popoff 10/10[25]

Born Again was released in August 1983[1] and was a commercial success. It was the highest charting Black Sabbath anthology in the United Kingdom since Sabbath Bloody Sabbath (1973) and became an American Acme 40 hit.[26] Despite this, information technology became the first Black Sabbath album to not have any RIAA certification in the US.

The album received mixed reviews upon its release.[27] AllMusic's Eduardo Rivadavia wrote that the anthology has "gone downwards equally one of heavy metallic's all-time greatest disappointments" and described "Zero the Hero", "Hot Line", and "Keep It Warm" as "embarrassing".[one] Blender contributor Ben Mitchell gave the anthology one out of five stars and claimed that the music on Born Again was worse than its encompass.[18] Martin Charles Stiff, the writer of The Essential Rock Discography, wrote that it was "an practice in heavy-metal cliche".[28] However, Popmatters contributor Adrien Begrand has noted the anthology as "overlooked".[27] The British magazine Metal Forces defined it "a very good anthology" even if "Gillan may non be the perfect frontman for the Sabs".[24]

Despite the overall negative reception with critics, the album remains a fan favorite. Author Martin Popoff has written that "if any anthology in the history of Black Sabbath is getting a new gear up of horns upward from metalheads here deep into the new century, it's Born Again."[7] Industrial metal band Godflesh and death metal band Cannibal Corpse both have covered "Nada the Hero", the former appears on the Masters Of Misery - Black Sabbath: The Earache Tribute anthology while the latter is featured on the Hammer Smashed Face up EP. Cannbibal Corpse'southward onetime vocaliser, Chris Barnes, has chosen Born Again his favourite Black Sabbath album.[29] "Zero the Hero" has also been cited every bit the inspiration for the Guns Northward' Roses hit "Paradise City",[thirty] and in his autobiography Iommi also suggests the Beastie Boys may have borrowed the riff from "Hot Line" for their hit "(You Gotta) Fight For Your Right (To Party!)". Metallica drummer Lars Ulrich has called Born Again "one of the best Black Sabbath albums".[31] Beak Stevenson, former drummer of Blackness Flag, stated the band was listening to the album around the time of My War, defining songs similar "Trashed" and "Disturbing the Priest" equally "platonic".[32]

In 1984, Ozzy Osbourne stated that the anthology was the "best thing I've heard from Sabbath since the original group broke up".[33] Butler has pointed to "Zero the Hero" and "Disturbing the Priest" as his favorites on the album.[15] In 1992 Iommi confessed to Guitar Earth, "To be honest, I didn't similar some of the songs on that album, and the production was atrocious. We never had fourth dimension to test the pressings subsequently it was recorded, and something happened to it by the time information technology got released."

A re-mastered 'Deluxe Expanded Edition' of Born Again was released in May 2011 by Sanctuary Records. Information technology included several alive tracks from the 1983 Reading Festival originally featured on BBC Radio 1's Friday Rock Show. Though the release was remastered, information technology was not remixed due to the inability to locate the original principal tapes, also as Sanctuary not wanting delay the release in an effort to locate said tapes for a remix.[34]

In 2021, Tony Iommi claimed that the original main tapes, long idea lost, had been found and that he was considering remixing them for an eventual release.[35] [36]

Born Again Tour and Stonehenge props [edit]

According to Iommi's autobiography, Ward began drinking once again almost the end of the Born Again recording sessions and returned to Los Angeles for treatment. The band recruited Bev Bevan, who had played with The Motion and ELO,[37] for the upcoming tour in back up of the new album. Gillan had all the lyrics to the Sabbath songs written out and plastered all over the stage, explaining to Martin Baker in 1992, "I couldn't get into my encephalon any of these lyrics...I cannot soak in these words. There'south no storyline. I can't relate to what they mean." Gillan attempted to overcome the problem by having a cue book with plastic pages on stage, which he would turn with his foot during the prove. However, Gillan did not conceptualize the "six buckets" of dry out ice that engulfed the stage, making information technology incommunicable for the singer to come across the lyric sheets. "Ian wasn't very sure-footed either," Iommi writes in his memoir. "He once fell over my pedal lath. He was waving at the people, stepped back and, bang!, he went arse over caput big fourth dimension." Gillan as well told Birch that it was Don Arden's idea to open the show with a crying baby blaring over the speakers and a dwarf made to look exactly like the demonic baby depicted on the Born Again album embrace miming to the screaming. "Nosotros noticed a dwarf walking around the 24-hour interval before the opening prove...And nosotros're saying to Don, 'Nosotros think this is in the worst possible sense of taste, this dwarf, yous know?' And Don'south going, 'Nah, the kids will beloved it, it'll be great.'"

The bout is nigh infamous, yet, for the gigantic Stonehenge props the band used. Iommi recalls in his autobiography that it was Butler'southward thought simply the designers took his measurements the wrong way and thought it was meant to be life-size. Months later, while rehearsing for the bout at the Birmingham NEC, the stage ready arrived. "We were in shock," writes Iommi. "This stuff was coming in and in and in. Information technology had all these huge columns in the back that were as wide as your average bedroom, the columns in front end were about thirteen feet high, and nosotros had all the monitors and the side fills as well as all this stone. It was fabricated of fiberglass and forest, and encarmine heavy." The set would be lampooned in Rob Reiner's 1984 rock music mockumentary This Is Spinal Tap, with the band having the opposite trouble of having to utilise miniature Stonehenge phase props. Butler has said that he told the associate scriptwriter of the pic the story of the band's performances with their "Stonehenge" stage props.[38] In an interview for the documentary Black Sabbath: 1978–1992, Gillan claims Don Arden had the dwarf walk across the pinnacle of the Stonehenge props at the start of the show and, every bit the tape of the screaming baby faded abroad, autumn dorsum "from about xxx-five feet in the air on this large pile of mattresses. And then, 'Dong!' The bells start and the monks come out, the whole affair. Pure Spinal Tap." The ring toured Europe first, playing the Reading Festival (a performance that is included on the 2011 palatial edition of Built-in Once more) and also playing in a bullring in Barcelona in September. Sabbath performed Gillan'south hit with Deep Purple, "Smoke on the Water", on the tour, with Iommi explaining in his memoir, "it seemed like a bum deal for him not to do whatever of his stuff while he was doing all of ours. I don't know if we played it properly but the audience loved information technology. The critics moaned; it was something out of the pocketbook and they didn't want to know then." In October, the band took the Stonehenge set to America simply could only employ a portion of it at almost gigs because the columns were too loftier. The set was somewhen abased. A music video for "Zippo the Hero" was also released, featuring operation footage of the band onstage interspersed with scenes involving several grotesque characters performing experiments on a witless young human in a haunted business firm filled with rats, roosters and a roaming equus caballus.

Track list [edit]

Standard Edition [edit]

All songs credited to Tony Iommi, Geezer Butler, Bill Ward, and Ian Gillan, except where noted.

Side A
No. Title Length
1. "Trashed" 4:16
2. "Stonehenge" (Instrumental) 1:58
3. "Disturbing the Priest" five:49
4. "The Night" (Instrumental) 0:45
5. "Cipher the Hero" 7:35
Side B
No. Title Writer(s) Length
half dozen. "Digital Bitch" three:39
seven. "Built-in Again" vi:34
8. "Hot Line" Iommi, Butler, Gillan four:52
9. "Keep It Warm" Iommi, Butler, Gillan 5:36

2011 Deluxe Edition Disc 2 [edit]

Tracks 3-11 recorded live at the Reading Festival on Saturday, August 27, 1983 and first aired on Friday Rock Prove via BBC Radio 1.[34]

Bonus Tracks
No. Title Length
one. "The Fallen" (previously unreleased anthology session outtake) 4:xxx
ii. "Stonehenge" (extended version) 4:47
Alive at the Reading Festival August 27, 1983
No. Title Author(s) Length
three. "Hot Line" four:55
four. "War Pigs" Butler, Iommi, Ozzy Osbourne, Ward seven:25
5. "Black Sabbath" Butler, Iommi, Osbourne, Ward 7:11
half dozen. "The Dark" 1:05
seven. "Zilch the Hero" 6:55
8. "Digital Bitch" 3:34
9. "Iron Human" Butler, Iommi, Ozzy Osbourne, Ward 7:41
10. "Smoke on the Water" Ritchie Blackmore, Gillan, Roger Glover, Jon Lord, Ian Paice four:56
xi. "Paranoid (Features a pocket-sized portion of the intro to Heaven & Hell with Gillan doing his signature harmonics)" Butler, Iommi, Ozzy Osbourne, Ward iv:18

Personnel [edit]

Black Sabbath

  • Ian Gillan – vocals
  • Tony Iommi – guitars, guitar effects, flute
  • Geezer Butler – bass, bass effects
  • Bill Ward – drums, percussion

Additional musicians

  • Geoff Nicholls – keyboards
  • Bev Bevan – drums (on 2011 Palatial Edition – Disc two, tracks iii–11)
Credits[39]
  • Steve Barrett – art assistant
  • Blackness Sabbath – producer
  • Robin Blackness – producer, engineer
  • Stephen Chase – engineer, banana engineer
  • Paul Clark – co-ordination
  • Hugh Gilmour – liner notes, pattern, reissue design, original sleeve pattern
  • Ross Halfin – photography
  • Steve Joule – artwork, embrace blueprint
  • Peter Restey – equipment technician
  • Ray Staff – remastering
  • Chris Walter – photography

Release history [edit]

Region Date Characterization
United Kingdom Baronial 1983 Vertigo Records
United States 4 October 1983 Warner Bros. Records
Canada 1983 Warner Bros. Records
United Kingdom 1996 Castle Communications
Uk 2004 Sanctuary Records

Charts [edit]

See also [edit]

  • Born Again Bout 1983

References [edit]

  1. ^ a b c d e Rivadavia, Eduardo. "Born Again > Overview". Allmusic . Retrieved 1 November 2009.
  2. ^ "Gillan the Hero". Archived from the original on eighteen October 2009. Retrieved 1 November 2009.
  3. ^ "Billboard Top 200". Billboard . Retrieved ane November 2009. [ permanent dead link ]
  4. ^ Blabbermouth (26 June 2021). "TONY IOMMI Says Original Tapes For BLACK SABBATH'southward 'Built-in Again' Album Have Been Found: 'I'm Thinking Of Remixing' Information technology". BLABBERMOUTH.NET . Retrieved xiv Nov 2021.
  5. ^ a b c d e f g h Iommi, Tony (2011). Fe Man: My Journey Through Heaven and Hell with Black Sabbath. Da Capo Press. ISBN978-0306819551.
  6. ^ Popoff, Martin (2006). Black Sabbath: Doom Let Loose: An Illustrated History. ECW press. p. 201. ISBN1-55022-731-9.
  7. ^ a b Popoff, Martin (2006). Black Sabbath: Doom Let Loose: An Illustrated History. ECW press. p. 198. ISBN1-55022-731-9.
  8. ^ Swedish Goggle box interview, broadcast April 1994, transcribed by Ola Malmström in Sabbath fanzine Southern Cross #fourteen, p19, October 1994
  9. ^ Popoff, Martin (2006). Black Sabbath: Doom Permit Loose: An Illustrated History. ECW press. p. 197. ISBNane-55022-731-9.
  10. ^ Wright, Michael. "Pecker Ward Tells Sabbath Tales and Talks Reunion". Archived from the original on 29 June 2011. Retrieved four September 2010.
  11. ^ Thompson, Dave (2004). Fume on the Water: The Deep Purple Story. ECW Press. p. 234. ISBNane-55022-618-five.
  12. ^ Scott, Peter (May 1998). "Tony Iommi Interview". Southern Cross (Sabbath fanzine) #21. p. 46.
  13. ^ Schroer, Ron (October 1996). "Pecker Ward and the Manus of Doom – Part III: Disturbing the Peace". Southern Cantankerous (Sabbath fanzine) #18. p. 25.
  14. ^ a b Schroer, Ron (October 1996). "Bill Ward and the Hand of Doom – Part III: Disturbing the Peace". Southern Cantankerous (Sabbath fanzine) #18. p. 24.
  15. ^ a b c "Geezer Butler Discusses Veganism, Religion, Politics, Surveillance, and Life Lessons". bryanreesman.com. 27 March 2014. Retrieved 1 September 2019.
  16. ^ Siegler, Joe. "Black Sabbath Online: Born Again". Blackness Sabbath Online. Archived from the original on 14 Jan 2012. Retrieved 7 August 2017. ...the first image of a baby that I found was from the front cover of a 1968 magazine chosen Mind Alive [...] we bashed the whole thing out in a nighttime – Steve Joule interview
  17. ^ Popoff, Martin (2006). Black Sabbath: Doom Let Loose: An Illustrated History. ECW press. p. 206. ISBN1-55022-731-9.
  18. ^ a b c Mitchell, Ben. "Born Again – Blender". Blender. Archived from the original on 29 Baronial 2010. Retrieved 3 September 2010.
  19. ^ "BLABBERMOUTH.NET – x Worst Album Sleeves in Metal/Difficult Stone". Blabbermouth.net. Archived from the original on 27 Baronial 2004. Retrieved iv September 2010.
  20. ^ "Pictures of NSFW - the 29 sickest album covers ever - Photos - NME.COM". NME . Retrieved 4 September 2010.
  21. ^ a b Osbourne, Ozzy (2011). I Am Ozzy. Grand Fundamental Publishing. ISBN978-0446569903.
  22. ^ "Black Sabbath: Anthology Guide". Rolling Stone. Archived from the original on 27 April 2012. Retrieved 5 June 2012.
  23. ^ neekafat. "Born Again". Sputnikmusic.com . Retrieved 16 Oct 2019.
  24. ^ a b Barnell, Graham (1983). "Blackness Sabbath – Born Again". Metal Forces (2). Retrieved 1 July 2012.
  25. ^ Popoff, Martin (1 Nov 2005). The Collector'southward Guide to Heavy Metal: Book 2: The Eighties. Burlington, Ontario, Canada: Collector's Guide Publishing. ISBN978-i-894959-31-v.
  26. ^ Thompson, Dave (2004). Smoke on the Water: The Deep Purple Story. ECW Press. p. 237. ISBNane-55022-618-5.
  27. ^ a b Begrand, Adrien. "Alice Cooper: Portrait of the Artist as a Burnt-Out Erstwhile Man < PopMatters". PopMatters . Retrieved three September 2010.
  28. ^ Strong, Martin Charles (2006). The Essential Rock Discography. Canongate Books Ltd. p. 97. ISBN978-1-84195-827-9.
  29. ^ Mudrian, Albert, ed. (2009). Precious Metallic: Decibel Presents the Stories Behind 25 Farthermost Metal Masterpieces . Da Capo Press. p. 158. ISBN978-0-306-81806-6. Blackness Sabbath Born Again.
  30. ^ Popoff, Martin (2006). Black Sabbath: Doom Let Loose: An Illustrated History. ECW printing. p. 210. ISBN1-55022-731-9.
  31. ^ "BLABBERMOUTH.NET – METALLICA's LARS ULRICH: 'Metal Is Similar Canker — It Never Goes Abroad'". Blabbermouth.net. Archived from the original on 8 September 2012. Retrieved four September 2010.
  32. ^ Blush, Steven; Petros, George (2001). American Hardcore: A Tribal History. Feral House. p. 73. ISBN9780922915712.
  33. ^ Hogan, Richard."Is Sabbath turning Imperial?" (PDF). Archived from the original (PDF) on 18 December 2005. Retrieved 2012-07-11 . . Circus Magazine 02-29-84
  34. ^ a b Blabbermouth (12 Apr 2011). "Blackness SABBATH's 'Born Again' Deluxe-Expanded-Edition Reissue Was Remastered, Not Remixed". Blabbermouth.internet . Retrieved 9 August 2020.
  35. ^ "TONY IOMMI Says Original Tapes For Blackness SABBATH's 'Born Again' Album Take Been Found: 'I'm Thinking Of Remixing' It". Blabbermouth.cyberspace. 26 June 2021. Retrieved 17 December 2021.
  36. ^ "Black Sabbath: Tony Iommi Considera Remixar O Álbum Born Again East Lançar Box Com Discos Da Era Tony Martin". Rockbizz.com.br. 26 June 2021. Retrieved 17 Dec 2021.
  37. ^ Bevan, who was still a member of ELO in 1983, had a long-time relationship with Don Arden, every bit all of ELO'southward albums from 1975'due south Face the Music frontward were recorded for Arden'southward Jet Records label.
  38. ^ Popoff, Martin (2006). Black Sabbath: Doom Permit Loose: An Illustrated History. ECW press. pp. 215–216. ISBNane-55022-731-9.
  39. ^ "Built-in Again > Credits". Allmusic . Retrieved iv September 2010.
  40. ^ "Offizielle Deutsche Charts" (in German). offiziellecharts.de. Retrieved 25 October 2021.
  41. ^ "Black Sabbath - Born Once again". Hung Medien. Retrieved 25 October 2021.
  42. ^ "Blackness Sabbath - Built-in Again". Hung Medien. Retrieved 25 October 2021.
  43. ^ "Blackness Sabbath - Born Once more". Hung Medien. Retrieved 25 Oct 2021.
  44. ^ "Blackness Sabbath | full Official Chart History". Official Charts Visitor. Retrieved 25 Oct 2021.
  45. ^ "Chart History". Billboard. Retrieved 25 Oct 2021.

External links [edit]

  • Born Once again at Discogs (list of releases)

moatsandend.blogspot.com

Source: https://en.wikipedia.org/wiki/Born_Again_(Black_Sabbath_album)

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